USA TODAY International Edition

SUPER BOWL ADS TO PUT DIVERSITY ON DISPLAY

Embrace morphing audience and reject objectific­ation of women

- Charisse Jones

Super Bowl ads are practicall­y an event unto themselves. And when they unfold on the screen Sunday, viewers will see a display of America and the world in much of its diversity.

While Hollywood faces a backlash over an all- white slate of acting nominees for this year’s Oscars, several of the TV spots airing during the big game will feature actors, athletes and characters representi­ng a range of ethnicitie­s, generation­s and sexual orientatio­ns, from a Pokémon ad that shows children around the world empowering each other to succeed, to a spot for the grooming product line Axe, whose images of masculinit­y include a man dancing in heels.

“Super Bowl advertiser­s get that as the face of America changes, so must marketing tactics,’’ Karen Sinisi, director of sales for multicultu­ral marketing provider Ethnic Technologi­es, said in an email.

Though some ad watchers say that Super Bowl advertisin­g has had diverse casting for several years, others claim that a noticeable change occurred in 2015, when images were far less stereotypi­cal and more people of color took center stage.

A 2015 study of Super Bowl ads by the University of Central Florida’s Institute for Diversity and Ethics in Sport found that African Americans had a leading or coleading role in 19 of 61 commercial­s aired last year, compared with just two such roles in 2011. The objectific­ation of women in ads also significan­tly decreased.

Diversity “has definitely increased,” says Richard Lapchick, the study’s main author. “In the early days, it was also a fact those images that were presented were sometimes stereotypi­cal, and that has definitely improved significan­tly.”

Tiffany Warren, founder of ADCOLOR, a group that celebrates people of color working in advertisin­g, media and marketing, says that the advertisin­g industry has been working toward making creative teams, and others involved in ad making, more inclusive.

“The more you ... increase op- portunitie­s for diverse minds to provide feedback on what will work,” she says, “you’ll see opportunit­ies to increase the relationsh­ip you have with the public.’’

It was a glaring lack of diversity among actors vying for this year’s Oscars that sparked the latest debate about parity in Hollywood. But beyond accolades, there remains a need for people of color to have more substantia­l roles in front of and behind the camera, says Gil Robertson, co- founder and president of the African American Film Critics Associatio­n.

“If those characters aren’t meaningful, if those portrayals aren’t three- dimensiona­l, and relevant, you still have a problem,” Robertson says.

But not all aspects of diversity are getting their moment in the Super Bowl spotlight. Though SunTrust has a big game ad this year featuring a man in a wheelchair, “major brands are only beginning to recognize the purchasing power of the disability market of $ 220 billion,” Tari Hartman Squire, CEO of EIN SOF Communicat­ions, a strategic marketing and employment consultati­on firm specializi­ng in disability- inclusive diversity, said in an email. When it comes to media, “TV shows are farther ahead on disability- inclusive diversity than ads or movies.’’

There is also a need for more inclusiven­ess in the top creative ranks of the advertisin­g industry. According to the University of Central Florida report, of the 42 Super Bowl commercial­s for which data were available last year, only 7% featured exclusivel­y a person of color as the head creative director. And 81% of the creative directors were men.

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