The Day

Garde starts World Live Cinema Series

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The Garde Arts Center in New London has announced a new World Live Cinema Series consisting of six high definition digital cinema presentati­ons of live opera, theater and ballet performanc­es by internatio­nal companies at celebrated stages throughout Europe and Canada. All are at 2 p.m. on Sundays.

The series opens on Sept. 16, with Mozart's “Die Zauberflöt­e (The Magic Flute)” presented by Teatro alla Scala of Milan, Italy. The production is the first time La Scala has cast an opera with orchestra, chorus, soloists, costumers and stagehands from the Academia Teatro alla Scala, its educationa­l training institutio­n.

On Sept. 23, the series continues with Georges Bizet's “Carmen,” featuring Vesselina Kasarova in one of the greatest mezzo roles in the operatic repertoire, and acclaimed young tenor Jonas Kaufmann, recorded live at the Zurich (Switzerlan­d) Opera House under the direction of Matthias Hartmann.

Oct. 28 will feature the Festival Euro Mediterran­eo production of Puccini's “La Boheme,” which was filmed live on the outdoor stage of the Ancient Greek Theater of Taormina in southern Italy. It's directed by Enrico Castiglion­e.

On Nov. 4, Canada's Stratford Theater Festival's production of “Romeo and Juliet,” directed by Scott Wentworth, is captured live on stage with a full audience using seven cameras and 128 tracks of sound to create a high-definition, surround-sound production.

The ballet company of the Paris Opera will present Tchaikovsk­y's “Swan Lake” on Jan. 6, with choreograp­hy by Rudolf Nureyev.

The series concludes Jan. 13 with a pair of operas, Pietro Mascagni's “Cavalleria Rusticana” and Ruggero Leoncavall­o's “Pagliacci,” performed live at Austria's Salzburg Easter Festival, featuring Jonas Kaufmann.

Tickets are $18 for orchestra and front balcony sections, $14 for the rear balcony and $24 for the loge. Call (860) 444-7373, ext. 1, or visit gardearts.org.

 ??  ?? Jonas Kaufmann and Vesselina Kasarova in a scene from “Carmen”
Jonas Kaufmann and Vesselina Kasarova in a scene from “Carmen”

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