Los Angeles Times

DESERT PLUNGE

A 1959 stunner designed by William Krisel becomes the Palm Springs getaway for a family that found kid-friendly Modernism in Elvis’ old neighborho­od.

- BY LISA BOONE lisa.boone@latimes.com Twitter: @lisaboone1­9

They satisfied that craving in 2006 when they fell in love with a 1959 William Krisel-designed home in Palm Springs. They were attracted to the home’s butterfly roof, circular drive, modern sensibilit­y and location in the Vista Las Palmas neighborho­od — a former celebrity enclave that once served as a weekend getaway for Marilyn Monroe, Dean Martin and Elvis Presley, and an area that is the focus of a walking tour linked to the Palm Springs Modernism Fall Preview that starts Oct. 9.

“We knew we wanted something close by that we could get to without a lot of planning,” Rob Hoyt says. “We love coming out here; it’s a short drive, but it feels like you took a flight to get here.”

Most important? The weekend home is a study in casual Modernism — but it’s a family home first.

“If we don’t come for a few weeks, we’ll hear it from our kids,” says Emilie, who started Lather, a line of aromathera­py-based face, body and hair-care products in 1999.

The 2,100-square-foot house is open, modern and simple. The couple — who are parents to Ellie, 11, and Lewis, 8 — kept the home’s original four-bedroom, three-bathroom floor plan but renovated the electrical and plumbing systems, the kitchen and the bathrooms. They also added solar heating for the pool, textured tile to the massive stone fireplace in the living room and floor-to-ceiling windows to the rear of the house to open it up to the pool. The floors are covered with smooth porcelain Refin tiles; the decor is minimal.

Family touches include or, rather, exclude Wi-Fi — which encourages the kids to interact with each other and play games and puzzles, swim in the pool and ride bikes on the wide, empty streets located in the shadow of the San Jacinto Mountains. The couple like to invite friends — as many as eight at a time — to come out for the weekend, and they keep a crib stored in the garage in case someone wants to bring a baby along.

Furniture throughout the home is simple, durable and comfortabl­e. There’s a Viesso sectional and Donghia chair in the living room and leather Italian bar stools in the kitchen. Hints of blue tones add warmth to the interiors, including a largescale painting by Venice-based artist Andy Moses and colorful geometric cabinets inspired by the works of Piet Mondrian in the hallway that conceal speakers, audio-visual equipment and provide storage.

The children’s room features simple twin beds paired with upholstere­d headboards and quilted throws and a single light sconce over each bed, giving the room the feeling of a luxury hotel room.

Striking powder blue lacquered Valcucine cabinets in the kitchen feel like an extension of the pool and offset the home’s white floors. Rob says he was adamant about having a blue kitchen, despite the initial reservatio­ns of Emilie and their interior designer, Mark Nichols. “For me, it represente­d this idea of cool water as an oasis in the middle of the desert,” he says.

Outdoors, underneath the butterfly roof ’s canopy, the shaded patio offers space for meals and relaxing, courtesy of classic Richard Schultz outdoor furnishing­s and vintage pillows from the 1960s.

The end result? A modern update of a midcentury classic that serves as a desert retreat for a busy family.

“There’s something special about the desert,” Emilie says. “It’s not an easy place to thrive. Still, it’s inspiring. You have to adapt, be resilient. There’s a lot of symbolism for us here.”

 ?? Mark Boster
Los Angeles Times ?? THE POOL is a big draw for Ellie and Lewis Hoyt at their family’s second home. The house’s exterior can be seen during the Palm Springs Modernism Fall Preview.
Mark Boster Los Angeles Times THE POOL is a big draw for Ellie and Lewis Hoyt at their family’s second home. The house’s exterior can be seen during the Palm Springs Modernism Fall Preview.
 ?? Photograph­s by Mark Boster
Los Angeles Times ?? A 1959 WILLIAM KRISEL-DESIGNED home is a desert getaway for the Hoyts. Rob and children Ellie and Lewis play in the pool.
Photograph­s by Mark Boster Los Angeles Times A 1959 WILLIAM KRISEL-DESIGNED home is a desert getaway for the Hoyts. Rob and children Ellie and Lewis play in the pool.
 ??  ?? THE CLEAN LINES of Midcentury Modernism are retained throughout the house. In the living room, a painting by Venice artist Andy Moses provides a splash of cool blue. The decor is minimal.
THE CLEAN LINES of Midcentury Modernism are retained throughout the house. In the living room, a painting by Venice artist Andy Moses provides a splash of cool blue. The decor is minimal.
 ??  ?? A WALLED COURTYARD enhances privacy and serenity. The canopy of the home’s distinctiv­e butterfly roof provides shade.
A WALLED COURTYARD enhances privacy and serenity. The canopy of the home’s distinctiv­e butterfly roof provides shade.
 ??  ?? MOM Emilie Davidson Hoyt relaxes beside the living room fireplace. Floors are covered with smooth porcelain Refin tiles.
MOM Emilie Davidson Hoyt relaxes beside the living room fireplace. Floors are covered with smooth porcelain Refin tiles.
 ??  ?? IN THE CHILDRENS’ BEDROOM, Ellie and Lewis Hoyt are ref lected in a wall decoration. The headboards are upholstere­d.
IN THE CHILDRENS’ BEDROOM, Ellie and Lewis Hoyt are ref lected in a wall decoration. The headboards are upholstere­d.
 ??  ?? BUILT-IN cabinets conceal speakers and AV equipment.
BUILT-IN cabinets conceal speakers and AV equipment.

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