Las Vegas Review-Journal (Sunday)

Rodrigo sells out first Vegas headliner

- JOHN KATSILOMET­ES John Katsilomet­es’ column runs daily in the A section. His “PodKats!” podcast can be found at reviewjour­nal. com/podcasts. Contact him at jkatsilome­tes@reviewjour­nal. com. Follow @johnnykats on Twitter, @JohnnyKats­1 on Instagram.

OLIVIA RODRIGO began a song introducti­on Friday night with “Years ago, when I was 16 years old …”

Wait a second. “Years ago, when I was 16 years old” is something I would say. Because it was so many years ago. Rodrigo is only 19, but she’s waxing nostalgic for those days of yore, in 2019. At the time, Rodrigo was starring as Nini Salazar-Roberts on “High School Musical: The Musical: The Series.”

That’s when she penned the song she was about to sing, “All I Want.” That was among the songs the sold-out crowd could recite exactly. Actually, the crowd knew every word to every song Rodrigo performed.

This was a soaring singalong, dance party and love fest in Rodrigo’s first appearance at the Chelsea at The Cosmopolit­an of Las Vegas. It was a legitimate­ly packed show, with standing/GA seats exceeding $400 three hours before Rodrigo took the stage. More than 3,000 teens and fans in their 20s turned out for the emerging singer-songwriter.

This, on the first night of Electric Daisy Carnival, which saps interest in live entertainm­ent on the Strip, especially among the young demographi­c. Of course, the casino floor might not have reaped any profits from this largely underage crowd, but still … an impressive turnout.

At The Cosmo, Rodrigo alternated between an acoustic guitar and a crystal-encrusted grand piano while bounding around the stage and working the crowd as if she had been performing for decades. She covered Avril Lavigne, one of her idols, with the 2002 hit “Complicate­d” early in the set, just after dealing “Drivers License” as the third song. “Traitor,” Deja Vu” and “Good 4 You” shut down a show that moved at a crisp 70 minutes.

Rodrigo exhibited ample energy while racing to either side of the venue, at one point wearing a blue-plaid top shaped in a heart, reading “Happy and Healthy.” She is also OK with quiet moments, reclining across the piano and singing to the ceiling, or playing the acoustic with the curtains closed and without her backing band.

As the show unfolded, I felt there was nothing Rodrigo could produce that would be a surprise.

She could have used a vintage rotary phone as a prop, and it would have made sense. She unleashed a classic ska-punk song from another decade, and even century, No Doubt’s “Just a Girl.”

Rodrigo and her band blasted through Gwen Stefani’s personal anthem, which was the title of her Zappos Theater residency and written just as “No Doubt” was breaking.

That was in 1995, kids, eight years before Rodrigo was born. The crowd hung on every word and note, too.

So many thoughts walking out of this performanc­e, as Rodrigo’s legions continued to sing “As It Was” while filing out of the theater. For most it was a great night of entertainm­ent, happily captured on social media. But it was more than that. It was time spent with the future of popular music. It was a show borrowed from the past and spun forward by this gifted, focused wunderkind. Olivia Rodrigo is on her way to a long career. Enjoy it.

A cool 30 minutes

That’s what the “Mad Apple” creative team has been cutting from the new Cirque show at New York-New York. The show opened for previews May 12 and formally opens Thursday night. “Mad Apple” replaces “Zumanity” and is under the direction of Simon Painter, the onetime fiddle performer in “Spirits of the Dance” some 20 years ago at the Golden Nugget. Painter is still fiddling (and working with paint, come to think of it), cutting the show back to about 70 minutes.

“Mad Apple” needs this fiddling, to fit the preshow progressio­n, as ticket holders can hang at the bars onstage before the production show starts. Then there is a postshow hang.

The ability to creatively edit and pace these interlocki­ng experience­s will determine the success of this latest Cirque adventure.

Super Mario

Mario Barth and About Kings head up a rock show at Hard Rock Live at 8 p.m. Friday. The event is free to active military and veterans. DJ Aero will perform from 8 to 8:45 p.m. Country singer Filmore is on from 8:45 to 10 p.m. and Barth’s band is on from 10 to 11:30 p.m.

Military veterans and active service members can register for up to five free tickets each at aboutkings.com. Cost for the public is $30, or call 702-265-3642 to make reservatio­ns. The profits will be donated to the Coalition for Tattoo Safety nonprofit, which establishe­s safety guidelines for tattoo artistry. Barth is president of the organizati­on and owns Starlight Tattoo at Mandalay Bay.

That 10

Laugh Factory at the Tropicana celebrated its 10th anniversar­y over the

weekend. Jamie Masada’s Vegas outpost of his famous L.A. club replaced Brad Garrett’s original club on the hotel’s mezzanine level.

Harry Basil is now GM and sometimes guest performer. This weekend the esteemed

Dom Irrera headlined. The club has been renovated. New flooring. “New Carpet: Bigger Laughs” is the yet-to-be-formalized club slogan.

Cool Hang Alert

We’re halfway there, oh, oh, living on a prayer … This week at Monday’s Dark at The Space, where the theme is Bon Jovi, the charity partner Operation Homefront, and the scene loose. Showtime at 8 p.m. Tickets $20; go to mondaysdar­k.com.

 ?? Chelsa Christense­n ?? Olivia Rodrigo performs Friday at the Chelsea at The Cosmopolit­an. The crowd knew every word to every song Rodrigo performed.
Chelsa Christense­n Olivia Rodrigo performs Friday at the Chelsea at The Cosmopolit­an. The crowd knew every word to every song Rodrigo performed.
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