‘Easy Rider’ movie cemented actor’s spot in popular culture
LOS ANGELES — Actor Peter Fonda, the son of a Hollywood legend who became a movie star in his own right after both writing and starring in the counterculture classic “Easy Rider,” died Friday at his home of complications from lung cancer. He was 79.
“I am very sad,” Jane Fonda said in a statement. “He was my sweet-hearted baby brother. The talker of the family. I have had beau- tiful alone time with him these last days. He went out laughing.”
Born into Hollywood royalty as Henry Fonda’s only son, Peter Fonda carved his own path with his non-con- formist tendencies and earned an Oscar nomination for co-writing the psychedelic road trip movie “Easy Rider.” He would never win that golden statuette, but he would later be nominated for his leading performance as a Vietnam veteran and wid- owed beekeeper in “Ulee’s Gold.”
Fonda was born in New York in 1940 to parents whose personas were the very opposite of the rebellious images their kids would cultivate. Father Henry Fonda was already a Hollywood giant, known for playing straight-shooting cowboys and soldiers. Mother Frances Ford Seymour was a Canadi- an-born U.S. socialite.
He was only 10 years old when his mother died. She had a nervous breakdown after learning of her husband’s affair and was con- fined to a hospital. In 1950, she killed herself. It would be about five years before Peter Fonda learned the truth behind her death.
Fonda accidentally shot himself and nearly died on his 11th birthday. It was a story he told often, including during an acid trip with members of The Beatles and The Byrds during which Fonda reportedly said, “I know what it’s like to be dead.”
Fonda went to private schools in Massachusetts and Connecticut as a child, moving on to the University of Nebraska in his father’s home state, joining the same acting group — the Omaha Community Playhouse — where Henry Fonda got his start.
He then returned to New York and joined the Cecilwood Theatre, getting small roles on Broadway and guest parts on television shows including “Naked City” and “Wagon Train.”
Fonda had an estranged relationship with his father throughout most of his life, but he said that they grew closer over the years before Henry Fonda died in 1982.
“Peter is all deep sweet- ness, kind and sensitive to his core. He would never intentionally harm anything or anyone. In fact, he once argued with me that vege- tables had souls (it was the ’60s),” his sister Jane Fonda said in her 2005 memoir. “He has a strange, complex mind that grasps and hangs on to details ranging from the minutiae of his childhood to cosmic matters, with a staggering amount in between. Dad couldn’t appreciate and nurture Peter’s sensitivity, couldn’t see him as he was. Instead he tried to shame Peter into his own image of stoic independence.”
Although Peter never achieved the status of his father or even his older sister, the impact of “Easy Rider,” which just celebrated its 50th anniversary, was enough to cement his place in popular culture.
Fonda collaborated with another struggling young actor, Dennis Hopper, on the script about two weed-smoking, drug-slinging bikers on a trip through the Southwest as they make their way to New Orleans for Mardi Gras.
He remained prolific for the rest of his life with notable performances as the heel in Steven Soderbergh’s “The Limey,” from 1999, and in James Mangold’s 2007 update of “3:10 to Yuma.”
Fonda is survived by his third wife, Margaret DeVogelaere, his daughter, actress Bridget Fonda and son, Justin, both from his first marriage to Susan Brewer.