China Daily Global Edition (USA)
Project to draw theater talent in second year
Pei Yuan, a project to train young theater talent and serve as an incubator for fresh work in the field, was launched by Beijing Culture and Arts Fund last year.
Since December 2019, the project has received 367 scripts from 342 scriptwriters, who are from 95 Chinese cities, with 92 percent of the scripts being new.
So far, five scripts have been made into shows performed onstage and another 11 are being prepared for the stage from 2021 to 2022, says Zhang Peng, director of the project and a representative of Beijing Culture and Arts Fund.
On Dec 17, the organizer shared the past year’s experience of selecting scripts from the candidates, as well as calling for more scriptwriters’ participation in its second year.
“A lack of young theater talent was the main reason for launching the project. We need young people who love theater and love to create it,” says Zhang. “A script is like the roots of a tree, especially original scripts.”
According to Ma Ge, producer of the project, 66 percent of the scriptwriters who joined in the first year are ages 25 to 35.
“Their scripts cover a diversity of genres, such as contemporary plays, traditional Chinese operas and musicals,” says Ma, adding that despite the coronavirus pandemic, the project has been operated through online events, such as script-reading and workshops.
One of the five scripts, which have been staged already, titled When We Are Parted, is written and directed by Zhu Hongxuan. It tells the story of two female physicians who face gender stereotypes and prejudice in their careers.
Set against the backdrop of the 1930s and ’40s, the play was first staged online in September, with four performances.
“The issues we explore in the play apply to contemporary women, who also face challenges of prejudice in their careers,” says Zhu, who is a graduate of Peking University and launched her own drama club on campus.
“The Pei Yuan project allows young scriptwriters like me to test our ideas and gives us opportunities to work with veteran directors and actors.”
He Sinuo, scriptwriter and director of the Chinese children’s musical Angry Dinosaur, says, “We almost gave up the idea of working in theaters because of the lack of financial support and opportunities. Then we decided to give it a try by sending our script to the Pei Yuan program.”
The script stood out among others and will be staged next year. Along with his wife, Zhong Shu, who’s also a scriptwriter, He tells the story of love and adventure with music. The couple worked with television stations as directors and producers. He is also the keyboardist of Chinese rock band Sound Toy.