Albuquerque Journal

Four stars for COOL CARS

Sunport’s art collection ranked among world’s best

- BY ELAINE D. BRISEÑO JOURNAL STAFF WRITER

Internatio­nal recognitio­n has landed at the Sunport thanks, in part, to the state’s lowrider culture. The online magazine ArtDesk has ranked the art collection at the Albuquerqu­e Internatio­nal Sunport as among the best nine in the world. It shares the honor with airports in Changi, Paris, Amsterdam, Mumbai, Vancouver, San Francisco, Doha and JFK in New York City.

Stephanie Kitts, marketing coordinato­r at the Sunport, said it was the “Lowriders and Hot Rods: Car Culture of Northern New Mexico” installati­on that gained the attention of the magazine.

The temporary exhibit showcases two souped up cars along with several motorcycle­s and bicycles. It also includes more than 100 photograph­s of lowrider culture.

The cars are switched out every three months. The photos are on loan from the New Mexico History Museum in Santa Fe. The exhibit will remain at the airport through May 2020.

But the magazine also makes note

of the airport’s entire collection, which includes Native American, Hispanic and Southweste­rn pieces. Kitts said a 2017 appraisal valued the airport’s collection — not including the lowrider show — at $3.3 million.

“We could not be more proud to be recognized alongside such brilliant facilities throughout the world,” Albuquerqu­e’s director of aviation Nyika Allen said in a news release.

ArtDesk (readartdes­k. com) is a quarterly magazine and the article was in its fall edition. Each edition features a Top 9 article. The fall Top 9 article, titled “Making Connection­s,” explores airports around the world. It states that “The (lowrider) exhibit celebrates Nuevo-mexicano culture.”

According to its website, the online publicatio­n started in 2013 is “devoted to the contempora­ry arts, performanc­e, and thought” and focuses on “regional and national events, exhibition­s, and education.”

It is published by the Kirkpatric­k Foundation.

The magazine highlights the best the art world has to offer. The fall issue also included a story about internatio­nally acclaimed tap artist Ayodele Casel, who was raised in Puerto Rico; the best galleries and museums in Washington, D.C.; and Oklahoma City philanthro­pists Charles and Renate Wiggin, who have donated generously to the Oklahoma City Philharmon­ic and recently establishe­d the Wiggin Family Concert Fund.

The lowrider exhibit was the idea of Sunport art curator Max Baptiste, who grew up in Taos. His father lived in Santa Fe and on his many trips to visit him, Baptiste said he was exposed to the lowrider culture.

“Every week I would drive through Española and see the lowriders,” he said. “I always had this idea I wanted to do a lowrider exhibit.”

He enlisted the help of Artemis Promotions owner Joe Romero, who puts on an annual lowrider car show at the Albuquerqu­e Convention Center.

Romero has had one of his cars in the airport installati­on, which recently switched out many of the lowriders to make room for new ones. The exhibit also displays motorcycle­s and bicycles. It is displayed on the second and third floors as visitors exit the escalators.

Romero said the magazine’s accolades give recognitio­n to a legitimate art form that is sometimes maligned or stereotype­d in Hollywood.

He said the cars and bikes represent years of hard work that includes sweat, tears and sometimes blood.

“Those old bolts get rusted on there,” he said. “Sometimes they don’t come off that easily and you end up with bloody knuckles.”

He said for visitors who may not be familiar with the lowrider culture, it’s an appealing attraction.

“You get the question of ‘Why,’ ” he said. “Why would someone paint it that color? Why did they do that to the car? They are rolling art pieces.”

Meanwhile, the Sunport’s permanent collection has more than 120 pieces created by wellknown New Mexican artists including Wilson Hurley, Lincoln Fox, Pablita Velarde, Fritz Scholder, Alan Houser, R.C. Gorman and Tammy Garcia.

The collection includes paintings, pottery, carvings, weavings, sculptures and an original 1914 Curtiss Pusher Design Biplane.

“When you travel in and out of the Sunport, you experience a taste of what makes Albuquerqu­e oneof-a-kind,” said Mayor Tim Keller in a news release. “The Sunport is one of the many gems in our city and this ranking helps us showcase to the world how special our culture and history is.”

 ?? ADOLPHE PIERRE-LOUIS/JOURNAL ?? Chelsea Arellano and her father, Aaron Arellano, admire a 1947 Delivery, part of the temporary lowrider exhibit at the Albuquerqu­e Internatio­nal Sunport. The two made a trip to the airport to check out the cars.
ADOLPHE PIERRE-LOUIS/JOURNAL Chelsea Arellano and her father, Aaron Arellano, admire a 1947 Delivery, part of the temporary lowrider exhibit at the Albuquerqu­e Internatio­nal Sunport. The two made a trip to the airport to check out the cars.
 ?? COURTESY OF CITY OF ALBUQUERQU­E PUBLIC ART ?? “Our Lady of Guadalupe” by Santa Fe artist Luis Tapia.
COURTESY OF CITY OF ALBUQUERQU­E PUBLIC ART “Our Lady of Guadalupe” by Santa Fe artist Luis Tapia.
 ??  ?? A passenger walks in front of lowrider motorcycle­s and bicycles that are part of the “Lowriders and Hot Rods: Car Culture of Northern New Mexico” exhibit. The installati­on will be at the airport until this summer.
A passenger walks in front of lowrider motorcycle­s and bicycles that are part of the “Lowriders and Hot Rods: Car Culture of Northern New Mexico” exhibit. The installati­on will be at the airport until this summer.
 ?? ADOLPHE PIERRE-LOUIS/JOURNAL ?? A 1967 Chevrolet Impala owned by Fred Rael of Taos, part of the car culture exhibit at the Albuquerqu­e Internatio­nal Sunport, sits on the landing near the escalators.
ADOLPHE PIERRE-LOUIS/JOURNAL A 1967 Chevrolet Impala owned by Fred Rael of Taos, part of the car culture exhibit at the Albuquerqu­e Internatio­nal Sunport, sits on the landing near the escalators.

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