The Scotsman

Comedy steeped in nihilism and vitriol

- COMEDY Jerry Sadowitz: Not For Anyone JAY RICHARDSON

Albert Halls, Stirling JJJ

Wi t h d u s t s e t t l e d o n Je r r y Sadowitz’s briefest of runs at the Edinburgh Fringe, it’s left to the man himself to put the cancellati­on into context, his bitter recriminat­ion reminding everyone that it was merely the latest in a long line of illstarred bookings, from Channel 5 hoiking his television show, to his infamous appearance at the Just for Laughs festival in Montreal.

Quadruplin­g down on the outrage this evening, with a devilishly funny encounter between the Queen and Jimmy Savile in death, he’s simply straightfo­r wardly offensive with his comments on Saturday’s petrol station explosion in Donegal. He makes light of the threat to show his penis, an issue in Edinburgh, repeats the p -word for Rishi Sunak, and arguably goes further in his characteri­sation of Kwasi Kwarteng, whose name he insists on mangling, with a visual gag so cartoonish­ly racist I would argue it’s impossible to take seriously as hate speech.

T h e r e ’s a n o c c a s i o n a l , unsettling, unironic burst of applause for some of his most vile tirades – and perhaps rather more insecurity than before in the sheer number of times he brands himself as an equal oppor tunities offender, that we’re “all c**ts”.

Despite the excess of his vitr i o l , i t h a s t wi s te d i n te r n a l logic, borne of nihilism and the sug gestion of shadowy, super-rich cabals controllin­g the world. Interspers­ed with the often brilliant, barefaced conmanship of the “dashing young conjurer’s” exceptiona­l sleight of hand as he capers through card tricks, Sadowitz’s unfiltered spleen is often simply thrillingl­y wrong: the lurid descriptio­ns he shares f o r c o r o n a v i r u s , m o n k e y - p ox etc, showcasing excep - t i o n a l ve r b a l d ex t e r i t y, h i s tongue-in-cheek admiration for Vladimir Putin a mischievou­s flight from reality.

O n l y w h e n h e ve e r s i n t o ranting for ranting’s sake – demanding bisexuals pick a side, maintainin­g scientists are making it all up – does his shtick lurch into tired self-parody. In the main, he retains a scabrous, sick vitalit y, justifying his absolute disdain for the crowd-pleasing comics who’ve followed him.

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