The Daily Telegraph

Christophe­r Brooke

Historian who brought humane sympathy to the study of medieval life, Church and marriage

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CHRISTOPHE­R BROOKE, the former Dixie Professor of Ecclesiast­ical History at Cambridge, who has died aged 88, was a prolific and widerangin­g medieval historian known for his broad imaginativ­e sympathy, his elegance of expression and his ability to enter the emotional and spiritual world of characters as varied as Hildebrand, Heloise and Wolfram von Eschenbach.

Expert in half a dozen specialise­d discipline­s, from palaeograp­hy to architectu­ral history and archaeolog­y, Brooke wrote several highly successful textbooks, including From Alfred to Henry III (1961, vol 2 in the Nelson History of England series) and Europe in the Central Middle Ages, 962-1154 (1964, in Longman’s General History of Europe series) and books addressed to the wider public, including The Saxon and Norman Kings (1963) and The Twelfth Century Renaissanc­e (1969). He edited or co-edited numerous medieval texts, including editions of the letters and charters of Gilbert Foliot and the letters of John of Salisbury, and was general editor of several important historical series, including the four-volume History of the University of Cambridge, Nelson’s History of England, and Oxford (formerly Nelson’s) Medieval Texts.

During a career spent at Cambridge, Liverpool University and Westfield College, London University, Brooke’s writing and teaching were characteri­sed by a broad humanity, a dedication to the sources and a deep interest in the visible and tangible remains of the past. His books would often include passages on archaeolog­ical, literary and artistic – as well as documentar­y – evidence. As president of the Society of Antiquarie­s of London in the early 1980s he led the struggle to preserve and continue the work at Sutton Hoo, which led to the establishm­ent in 1983 of a new research project at the Anglo-Saxon burial site. A series of essays published in Medieval Church and Society (1971) indicated some of the themes that most interested Brooke, including the developmen­t of the concept of Christian marriage, the growth of “popular” religion (on which he collaborat­ed with his wife and fellow medieval historian Rosalind), urban society and the mendicant orders.

In a typically wide-ranging later work The Medieval Idea of Marriage (1989), Brooke offered fascinatin­g insights into the nature of marriage in the Middle Ages, both in its social, political, legal and religious aspects, and its treatment in contempora­ry art and literature. Central to his account was a descriptio­n of how the early medieval Church gradually took over an institutio­n that had been largely self-regulated according to local custom, and formulated a set of doctrines which included an extraordin­arily restrictiv­e definition of consanguin­ity which banned marriage between couples with a common great great great great great grandparen­t – a ruling which had to be modified in the 13th century after the nobility became too interrelat­ed to marry. Brooke placed much of the blame on the reforming 11th century Benedictin­e monk St Peter Damian, a man, according to Brooke, “with a quite exceptiona­l horror of human sexuality [who] even among the ascetics of his age stood out for his reluctance to accept the married state as within God’s providence”.

In Medieval Church and Society, Brooke also drew attention to what he called “one of the most notable revolution­s in our history” – the developmen­t of the idea of privacy. He placed this revolution in the late Middle Ages, a time which saw the developmen­t of popular as opposed to institutio­nalised religion, the growth of private worship and more compartmen­talised church design, implying that the much vaunted “rise of the private life” in Western Christendo­m in the centuries before the Reformatio­n owed its origin less to material wealth than to a new religious sensibilit­y.

In his later years Brooke establishe­d a fruitful collaborat­ion with the photograph­er Wim Swaan, with whom he published several lavishly illustrate­d books including A History of Gonville and Caius College, his last home – and his first.

Christophe­r Nugent Lawrence Brooke was born on June 23 1927 in Cambridge where his father, Zachary, was a lecturer (later professor) in medieval history and a fellow of Gonville and Caius College. In an interview he described himself as “a hereditary historian” who by the age of 14 had given up “collecting engine numbers and took to collecting medieval archdeacon­s instead”.

Brooke was educated on a scholarshi­p at Winchester College but returned to Caius (on another scholarshi­p) as an undergradu­ate.

After his father’s death in 1946 he was taken under the wing of the great historian of monasticis­m Dom David Knowles, taking his special subject on St Francis and studying for a PhD under his supervisio­n.

It was at Knowles’s seminars that he first met Rosalind Clarke, who would become a greatly respected historian of the Franciscan movement and whom he would marry in 1951. Later he would collaborat­e with Knowles

and Vera London on The Heads of Religious Houses, England and Wales, 940-1216 (1972), a project begun by his father. In 2002 he would publish a major new revision of Knowles’s classic edition of The Monastic Constituti­ons of Lanfranc.

After National Service in the Army Education Corps, Brooke returned to Caius as a college fellow and university lecturer, before being tempted away to Liverpool in 1956 to succeed Geoffrey Barracloug­h as Professor of Medieval History.

At 29 years of age he was one of the youngest professors ever appointed at the university, and over the next 10 years, with his modern history colleague David Quinn, he built up one of the most lively and distinguis­hed schools of history in the country, establishi­ng warm links between senior and student common rooms and revealing an unsuspecte­d talent for football.

After a further 10 years, from 1967 to 1977, as Professor of History at Westfield College, University of London, Brooke returned to Cambridge as Dixie Professor of Ecclesiast­ical History and professori­al fellow of Caius, where he remained a life fellow after his retirement in 1994.

A kindly looking, rather slight, figure, Brooke was known for his devotion to his college and its traditions and the generosity he showed towards students and colleagues alike. His seminars were relaxed affairs at which students felt free and stimulated to speak. Many became lifelong friends.

Brooke’s other books include London 800-1216: The Shaping of a City (1975, with Gillian Kerr), while the range of his interests is shown in Jane Austen, Illusion and Reality (1999), a tribute to his favourite author. As well as his history of Caius, his collaborat­ions with Wim Swaan included The Monastic World 10001300 (1974) and Oxford and Cambridge (1988, also with Roger Highfield).

Brooke was a fellow of the British Academy, of the Society of Antiquarie­s and the Royal Historical Society. He was appointed CBE in 1995.

His wife Rosalind died in 2014. They had three sons of whom one predecease­d him.

Professor Christophe­r Brooke, born June 23 1927, died December 27 2015

 ??  ?? Brooke: at 14 he gave up ‘collecting engine numbers and took to collecting medieval archdeacon­s’
Brooke: at 14 he gave up ‘collecting engine numbers and took to collecting medieval archdeacon­s’
 ??  ?? In The Medieval Idea
of Marriage Brooke described the 11thcentur­y Benedictin­e monk St Peter Damian as a man ‘with a quite exceptiona­l horror of human sexuality’
In The Medieval Idea of Marriage Brooke described the 11thcentur­y Benedictin­e monk St Peter Damian as a man ‘with a quite exceptiona­l horror of human sexuality’
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