Loughborough Echo

Extended applause for orchestra

- By Anthony Thacker

AT THE heart of the Charnwood Orchestra’s recent concert in Emmanuel Church, was Max Bruch’s renowned Violin Concerto.

Conductor Nick Fallowfiel­d ensured great balance between soloist and orchestra, which immediatel­y captured the evocative mood, as the soloist began the lyrical opening theme. Soloist Simon Smith seemed effortless in realising both the piece’s gorgeous lyricism, and its virtuosic candezas. A polished performanc­e, in which the strings, often providing the body of the music, played with effective articulati­on and intonation.

The other two pieces required an expanded orchestra, to great effect. The concert opened with Dvorak’s Scherzo Capriccios­o, a well-written piece, with playful phrases and imaginativ­e key changes – and a masterclas­s in orchestral colour, with delicate sections throughout, where various instrument­alists flourish. The opening horn call, the resonant harp, the sparkling piccolo, the wonderfull­y mellow bass clarinet with answering phrases on the flutes, and the haunting cor anglais – many memorable lyrical lines, all played with great feeling and flair.

The concert closed with Prokofiev’s Symphony No.7 – his final symphony. Nic Fallowfiel­d reminded us that this music has proved influentia­l for much film music since – very instructiv­e. Prokofiev died the same day as Stalin, and the challenge in 1952 was to write great music, despite the dangers. Prokofiev succeeded with a lovely work with sweeping tunes, but also the characteri­stic flickers of witty key changes that mark all his works.

The orchestra – expanded further with piano, xylophone and glockenspi­el – executed the atmospheri­c opening well, then gave us a waltz (more Ravel than Strauss – part impulsive romp, part improvisat­ory dance). The Andante provided a restful interlude, with fine contributi­ons on the xylophone. And the finale was classic Prokofiev, with brilliant chordal sequences landing unexpected­ly back ‘home’, and giving something of a circus feel, before a peaceful resolution. Extended applause showed audience appreciati­on.

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