Guitar World

“I WANT MY CROWN”

Eric Gales (featuring Joe Bonamassa)

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THIS SLICKLY CRAFTED arrangemen­t celebrates modern blues guitar sensation Eric Gales’ talent, artistry and technical prowess, and the song is presented as a pretext for a playful lead guitar duel with the equally renowned and accomplish­ed Joe Bonamassa. Both axmen turn in inspired, tastefully ripping solos on their similarly styled instrument­s (with Joe playing a Fender Stratocast­er and Eric sporting his signature Magneto Eric Gales RD-3 guitar), and the exhibition match ends in a satisfying draw.

The contest gets underway after the song’s 3rd chorus, at section H. Joe solos first, then he and Eric proceed to trade eight-bar phrases, then “fours,” then “twos” over a funky vamp in A, each demonstrat­ing their improvisat­ional creativity and technical virtuosity, with breathtaki­ng displays of smooth, clean alternate picking, bold, precise string bends and shimmering finger vibratos.

Both six-string pugilists base the majority of their solo lines on the A minor pentatonic scale (A, C, D, E, G) but also draw upon other resources to serve up some colorful melodies. For example, check out Bonamassa’s chromatic descent on the high E string in bars 63 and 64 — the “A minordrop

G# F#) line cliche” (A - - G - — and Gales’ imaginativ­ely winding 16th-note run in bars 79-82, for which he combines notes

# from the A Mixolydian mode (A, B, C , D, E,

# Eb,

F , G) and the A blues scale (A, C, D, E, G) and uses hammer-ons, pull-offs and legato finger slides to create a smoothly rolling melodic contour.

Notice also how both improviser­s will often utilize adjacent, overlappin­g “box” patterns of A minor pentatonic within a single phrase and smoothly traverse them, by either sliding audibly or silently shifting a finger up or down a string. Gales’ first solo at section I offers some great examples of this approach in action. As always, when sliding, use a light touch and try not to press down on the string any harder than necessary to produce a clear tone, as doing so will only increase friction and drag, making the slide needlessly difficult.

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