Country Life

Hold your fire

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IN our November 17 Leader, we stated that ‘in the country, woodburner­s and fires are being phased out’. This may have alarmed some readers and we apologise for our error. What we should have said is that old woodburnin­g stoves and open fires may be discourage­d and eventually replaced, given the Government’s efforts to clean up our air. But at the moment, what’s most important is using the correct fuel.

‘Burning at home, particular­ly with traditiona­l house coal or wet wood, is a major source of the pollutant Pm2.5—tiny particles which can enter the bloodstrea­m and lodge in lungs and other organs,’ explains a Defra statement. ‘PM2.5 has been identified by the World Health Organisati­on as the most serious air pollutant for human health.’

If winter nights are warmed by log burners or open fires, that’s still fine, but new regulation­s in force since May insist that cleaner, alternativ­e fuels are used— such as dry wood and manufactur­ed solid fuels— which produce less smoke, burn more efficientl­y and are labelled as ‘ready to burn’. For example, the reduction in emissions using dry wood over wet is up to 50%.

From January 1, 2022, all new woodburner­s must meet strict Ecodesign efficiency and emissions limits. Furthermor­e, look out for various levels of clearskies certificat­ion marks, which distinguis­h solid-fuel stoves that both meet and go beyond Ecodesign requiremen­ts.

‘A stove that is compliant with the requiremen­ts of Ecodesign will emit up to 90% fewer emissions than an open fire and up to 80% less than a stove that is 10 or more years old, plus they are much more efficient, so there are clear benefits for those households in a position to upgrade,’ explains Erica Malkin of Stove Industry Alliance—a membership organisati­on representi­ng stove suppliers and makers in the UK.

However, she continues, ‘in homes operating open fires and older stoves, there is no requiremen­t to remove them or stop using them, and the good practice of having your chimney regularly swept, together with using good quality wood fuel (such as ready to burn) is highly recommende­d’.

 ?? ?? Online bidding is now open on 260 new drawings by Quentin Blake to raise funds for the House of Illustrati­on, Greenpeace and Downing College, Cambridge. Estimates range from £200 to £2,500 and a selection forms a public exhibition at Christie’s, SW1, from December 11–14
Online bidding is now open on 260 new drawings by Quentin Blake to raise funds for the House of Illustrati­on, Greenpeace and Downing College, Cambridge. Estimates range from £200 to £2,500 and a selection forms a public exhibition at Christie’s, SW1, from December 11–14
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 ?? ?? Not content with Gainsborou­gh’s Blue Boy’s return in 2022, albeit on loan (Town & Country, July 7), the National Gallery has secured the purchase of another British masterpiec­e, Sir Thomas Lawrence’s Red Boy (1825), for £9.3 million—made possible through various donations, legacies and an Art Fund grant. The painting’s subject, Charles William Lambton, sadly only survived to the age of 13, but his portrait, made when he was six or seven years old, has gone down in history and, in 1967, became the first painting ever to be included on a British postage stamp
Not content with Gainsborou­gh’s Blue Boy’s return in 2022, albeit on loan (Town & Country, July 7), the National Gallery has secured the purchase of another British masterpiec­e, Sir Thomas Lawrence’s Red Boy (1825), for £9.3 million—made possible through various donations, legacies and an Art Fund grant. The painting’s subject, Charles William Lambton, sadly only survived to the age of 13, but his portrait, made when he was six or seven years old, has gone down in history and, in 1967, became the first painting ever to be included on a British postage stamp

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