Country Life

Dreaming spires of delphinium­s

The restoratio­n and regenerati­on of the garden at Dumfries House in East Ayrshire, which The Prince of Wales– The Duke of Rothesay in Scotland–helped to save for the nation more than 10 years ago, is nothing short of spectacula­r, finds Alan Titchmarsh

- Photograph­s by Val Corbett

After a dramatic, 11th-hour rescue, Dumfries House is thriving. Alan Titchmarsh explores the spectacula­r gardens, a tribute to the vision of The Prince and the passion of local volunteers

The joie de vivre of the volunteers and profession­als is matched by their pride in what has been achieved

The dramatic story of how Dumfries house and its contents were saved for the nation thanks to the interventi­on of hrh The Prince of Wales—who is known as The Duke of Rothesay in Scotland—has passed into folklore. how, on the eve of the sale, the removal lorries were turned back, having begun their journey down the motorway to Christie’s in London, to return their precious cargo of furniture—much of it the work of Thomas Chippendal­e—to the house for which it was intended.

The Prince headed a consortium that managed to raise the £45 million necessary (£20 million came from The Prince’s own Charitable Trust) to administer the property under the umbrella of The Great Steward of Scotland’s Dumfries house Trust.

Since that day in the late spring of 2007, Dumfries house and its contents have become a magnet for those keen to see the sensitive and often spectacula­r restoratio­n and regenerati­on of the John and Robert Adam Palladian country house in east Ayrshire, which was once the home of the earls of Dumfries and later the Marquesses of Bute.

The house sits proud now, its furniture positively glows and many of the buildings on the 2,000-acre estate have been put to practical use, such as providing a Scottish home for the Royal Drawing School and luxurious bed-and-breakfast accommodat­ion for visitors. As a consequenc­e, the entire project has brought valuable income —and employment—to an area previously lacking any significan­t tourist trade.

however, it’s not only the house and its outbuildin­gs that have benefited from The Prince’s interventi­on. The surroundin­g landscape has been transforme­d over the past 10 years—there’s now an extensive young arboretum and a spectacula­r Chinese bridge crossing the Lugar Water. however, it is The Queen elizabeth Walled Garden—officially opened by her Majesty in June 2014—that is perhaps the greatest achievemen­t.

When I toured the then derelict five-acre walled garden in 2011, it was a wilderness

When I toured the house and the then derelict five-acre walled garden with The Prince of Wales in 2011, it was nothing more than an overgrown wilderness sloping fiercely to the south with an overall drop of some 40ft from top to bottom.

The Prince explained his vision for this area of devastatio­n and how local volunteers —many of them present that day—would be involved in transformi­ng this piece of Scottish landscape into a walled garden that would have a rose garden, a kitchen garden, a glasshouse complex arranged along the topmost wall and become, once again, a vibrant and productive place.

I have come to understand that when The Prince gets the bit between his teeth, it’s likely his ambitions will be realised. What I hadn’t accounted for was the speed with which that ambition would be fulfilled. The joie de vivre of those local volunteers and the profession­als who worked alongside them is matched only by their pride in what has been achieved.

The atmosphere on that bright June day in 2014, when The Queen unveiled a glittering armillary sphere of a sundial and officially opened the garden that bears her name, was one of triumph and celebratio­n and I still find it hard to believe—when I compare the images I have from those days in 2011 with the images of the garden today— that such an achievemen­t was possible.

The main focus of the garden, standing atop the eastern end of the slope, is an impressive and elegant belvedere, the design of which owes much to the input of The Prince himself. Constructe­d of warm brick, the octagonal structure supports a domed lead roof. The Dutch-style gables are topped with stone flower-filled urns. Over the Moorish-arched doors and windows, carved-stone panels of Scottish thistles alternate with dramatic lead sculptures of fiery wyverns that direct their furnace-like breath at the earth.

When describing the gazebo, it sounds like an uncomforta­ble hotch-potch of conflictin­g architectu­ral styles, but, in reality, it’s an engaging and unique folly that perfectly suits its spot. It invites exploratio­n and offers—from the stone terrace that surrounds it—inspiring views of the garden below and the landscape beyond.

Behind it, an extensive range of powdercoat­ed alloy lean-to greenhouse­s built by the firm of Alitex bring that familiar Victoriank­itchen-garden feeling to protected cultivatio­n. Greenhouse­s constructe­d from this material have (as all keen under-cover gardeners have come to realise) the advantages of elegant, appropriat­ely period appearance, with minimal maintenanc­e.

Within them, tiered benching displays a wide range of ornamental plants that include a fine collection of Streptocar­pus, which, nowadays—thanks to modern plant breeding—can be had in flower for the majority of the year. It’s important, not least to maintain visitor numbers, that the garden here has something of interest all the year round.

Many tender plants in terracotta pots are taken out of the greenhouse­s when danger of frost is past in this area and used to decorate the various terraces that pepper the garden from top to bottom. Out they go in June, to be hauled under cover for the Scottish winter in September or early October.

The Prince’s passion for certain garden flowers is much in evidence and pride of place here must go to the 130ft-long and 13ft-deep border of delphinium­s that, in June, is nothing short of spectacula­r. Towering spires of dark blue, light blue, purple, pale pink and white are banked behind purple irises and mounds of laterflowe­ring phlox, ensuring that the display continues for months rather than weeks.

Michael Innes, the garden designer for Dumfries House, contacted John Barrington, a specialist grower of delphinium­s at Newport Mills Nursery, Wrantage in Somerset, and it was he who supplied the many varieties of Delphinium elatum that make up the sensationa­l display. It was planted in early 2014 near the main entrance to the walled garden and all visitors to the garden in June and early July are stopped in their tracks by the spectacle. If you have a mobile phone with a camera about your person when you visit, it won’t stay in your pocket for long.

Anyone who’s grown delphinium­s knows the need for an adequate support system for the flowers. In the garden at Dumfries House, that support is provided by a continuous length of wide-mesh wire netting secured horizontal­ly to upright metal posts. The flower spikes grow through the netting, which allows a degree of movement in wind, but which prevents the tall stems from toppling or, as often happens when they’re individual­ly staked, breaking where the tie meets the stem.

Pride of place must go to the spectacula­r, 130ft-long, 13ft-deep delphinium border

The garden comprises many different areas, which have been designed on practical, as well as aesthetic lines. The tapestry of dusky-pink gravel paths that cross one another at right angles provide axes, which offer an opportunit­y to create focal points and, as anyone who’s visited The Prince’s Gloucester­shire garden at Highgrove will know, such follies and structures are always of the highest quality and frequently original in their use of structural materials.

The handiwork of Julian and Isabel Bannerman is as much in evidence in the grounds of Dumfries House as it is at Highgrove, and their use of rusticated sawn timber, pine cones and other naturally occurring and sustainabl­e materials seems particular­ly suited to the Scottish landscape.

There are also moments of humour, such as that provided by the flowerpot man pushing a soil cultivator in the educationa­l part of the walled garden.

In a garden that’s still so young, there are changes, additions and adjustment­s to be made: a new hydrangea avenue was planted last year on the south side of the arboretum, a new fruit garden was added in February and a medicinal garden will be constructe­d and planted elsewhere on the estate. Terrace borders in front of the display glasshouse­s have been recently renovated to give a subtropica­l effect and ‘pictorial annual mixes’ have been sown in the borders surroundin­g the Educationa­l Garden to offer interest and bright colour in late summer.

The involvemen­t of schools and the enrichment of the lives of local children is as important to The Prince as encouragin­g tourists to visit the area and thus boost the local economy. From September this year, RHS training will be provided for school leavers, ensuring that valuable horticultu­ral skills are passed on and that a house and garden once threatened with diminution remains an important and valued focus in this part of Scotland.

Gardeners are the custodians of the immediate landscape—the people charged with brightenin­g the earth surroundin­g our dwellings, whether they’re small courtyards in an urban street, flower-filled cottage gardens or the more extensive grounds that comprise the estates of country houses. It seems to me that the gardens at Dumfries House play a unique role here, in that they are certainly on the grand scale, but they inspire and, equally importantl­y, involve local volunteers, craftsmen and gardeners whose sense of pride in their achievemen­t is tangible.

If The Duke of Rothesay hadn’t found a way to turn back those lorries as they attempted to carry their treasures southwards for sale, it’s impossible to believe that such a transforma­tion could have been achieved at all, let alone within a single decade.

Thanks to his interventi­on and his ability to fire the enthusiasm of everyone—from

generous philanthro­pists to keen and willing gardeners—a Scottish treasure house’s contents and grounds have become a brilliant example of what can be done with local goodwill and the encouragem­ent, energy and determinat­ion of a man who believes in not only talking about things, but actually getting them done.

For further informatio­n and opening hours, telephone 01290 425959 or visit www.dumfries-house.org.uk

 ??  ?? The Prince’s passion: towering spires of Delphinium elatum line the 130ft-long, 13ft-deep border. The magnificen­t display is underplant­ed with iris and richly scented phlox that provide colour for months, rather than merely weeks
The Prince’s passion: towering spires of Delphinium elatum line the 130ft-long, 13ft-deep border. The magnificen­t display is underplant­ed with iris and richly scented phlox that provide colour for months, rather than merely weeks
 ??  ?? Roses thrive in The Queen Elizabeth Walled Garden, including blush-pink Awakening, repeat-flowering Sally Holmes and delicate Penelope
Roses thrive in The Queen Elizabeth Walled Garden, including blush-pink Awakening, repeat-flowering Sally Holmes and delicate Penelope
 ??  ?? The Prince worked closely with architect Keith Ross to bring to life the original 1889 design for the Chinese Bridge by Robert Weir Schultz
The Prince worked closely with architect Keith Ross to bring to life the original 1889 design for the Chinese Bridge by Robert Weir Schultz
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 ??  ?? Above: By now, tender plants such as fuchsia and pelargoniu­m have been moved inside, under glass. Below: The Woodland Temple, designed by Julian and Isabel Bannerman
Above: By now, tender plants such as fuchsia and pelargoniu­m have been moved inside, under glass. Below: The Woodland Temple, designed by Julian and Isabel Bannerman
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 ??  ?? Above: Training future plantsmen: local children are offered courses in the oneacre organic Kauffman Education Gardens, where they are shown how to grow, tend and prepare vegetables to eat. Left: A note of humour: the flowerpot man is popular with primary-school children
Above: Training future plantsmen: local children are offered courses in the oneacre organic Kauffman Education Gardens, where they are shown how to grow, tend and prepare vegetables to eat. Left: A note of humour: the flowerpot man is popular with primary-school children

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