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PICASSO’S ARTISTIC GENIUS IN IZMIR

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ARTWORK OF PABLO PICASSO HAS COME TO IZMIR. THE EXHIBITION PICASSO: THE ART OF SPECTACLE AT THE ARKAS ART CENTER FOCUSES ON AN ASPECT OF THE ARTIST THAT IS NOT WELL-KNOWN TO THE PUBLIC. BUT TIME IS SHORT! THE FINAL DATE TO VISIT THE EXHIBITION IS JANUARY 5, 2020.

More than 70 institutio­ns in the nine countries that border the Mediterran­ean have participat­ed in the Picassoméd­iterranée project. This project, directed under the presidency of the Picasso National Museum in Paris, aims to bring to the fore the wealth of cultural connection­s that unite Picasso and the Mediterran­ean.

Izmir is the final leg of the exhibition, which consists of Picasso’s works and has been adapted to the geography that inspired him. The activities organized as part of the project aim to bring visitors closer to the artist. The final exhibition of the Picasso-méditerran­ée project, Picasso: The Art of Spectacle opened its doors on September 18 at the Arkas Art Center.

Turkish Airlines is the main sponsor of the exhibition Picasso:

The Art of Spectacle, which focuses on the artist’s work for the performing arts, such as the circus, ballet, and theater. The exhibition, which sheds light on a little-known aspect of Picasso’s work, demonstrat­es the effect of the performing arts on his life. Picasso: The Art of Spectacle, which includes 83 pieces on loan from the Paris Picasso Museum, the Fondation Julio González, the Opera Garnier, and the Kontaxopou­los-prokopchuk Collection in Brussels, was organized under the curatorshi­p of Jean Luc Maeso and the directorsh­ip of Müjde Unustası.

The exhibition opens the doors to the world of the performing arts that deeply affected Picasso and includes many famous works such as The Acrobat, The Matador,

Bullfight: Death of the Matador, and Woman with a Blue Hat.

It also features costumes designed for theater and dance performanc­es, and sketches, sculptures, and photograph­s that document Picasso’s friendship with artists like Julio González and Jean Cocteau. The separate exhibition spaces in the historical halls of the Arkas Art Center have been organized according to the artist’s interest throughout his life in performing arts like bullfighti­ng, the circus, and ballet. The exhibition presents a multifacet­ed, colorful portrait of Picasso.

Picasso’s interest in the performing arts began with the bullfights that he attended on a regular basis during his childhood in Malaga. Bullfights were a source of inspiratio­n for the artist from his childhood until his death; it is possible to see figures of horses, bulls, and

picadors (a bullfighte­r mounted on a horse) in almost every artistic period of his life. The greatest example of this is Picasso’s first painting, created at the age of nine. The work, entitled Le Picador, depicts bullfighti­ng. This influence can also be seen in his first engraving and in his sculpture of later years. Le Matador, a work of 1970, also depicts the figure of a bullfighte­r, but this time dates back to the last years of his life. The oil painting is included in the exhibition.

The artist’s interest in the stage continued with his stage designs and costumes for the ballets Parade and Tricorne in the later years of his career. With this work Picasso went from the two-dimensiona­l work on canvas to threedimen­sional stage creations, opening the doors to a new world. For him, the stage was a place that was not only surreal, but also a place where everything was possible. Just as in his paintings, Picasso took an innovative path in his stage décor and costume designs. The stage became part of Picasso’s life, and in time he found his own place in the circus and the theater. It can be said that these undertakin­gs were important for Cubism, a movement led by Picasso in later periods of his life.

The world in which Picasso lived, the social milieu in which he found himself, his friends, his relationsh­ips, and his inner world were always included in his art. It was not only the world of performing arts that influenced Picasso, he was also inspired by his colleagues when creating art. Glimpses into Picasso’s personal life are offered by photograph­s and documents that connect him to the people he was close to throughout his life and who deeply affected his art.

Picasso’s interest in the performing arts began with the bullfights that he attended on a regular basis during his childhood in Malaga.

Picasso: The Art of Spectacle is an important exhibition in two aspects. First, the selection, consisting of sketches, drawings, paintings, and photograph­s, emphasizes a different aspect of the artist. Second, thanks to this exhibition, which acts as a bridge between Paris and Izmir, the residents of Izmir are able to enjoy such an extensive selection of Picasso’s works.

For those who want to visit the exhibition before the end of December, there is an extra point to consider: the stunning installati­on by the French artist Bernard Pras, which has a Picasso theme, will be on display at the Institut Français de Turquie in Izmir until December 31.

The artist was inspired by Picasso’s famous portraits of Dora Maar. The work Dora, which consists of ordinary objects, was prepared to coincide with the exhibition at the Arkas Art Center.

Picasso produced thousands of works throughout his life and his vision, which changed the direction of modern art, put a stamp on the 20th century. Even if the first works by the Spanish artist that come to mind are Guernica, Les Demoiselle­s

d’avignon, Girl before a Mirror, and The Weeping Woman, a very different Picasso will emerge after visiting this exhibition. Picasso once famously said, “Everything you can imagine is real.” In this special exhibition, the artist brings the visitor into the world of the performing arts, where everything is possible. The exhibition Picasso: The Art of Spectacle is open to visitors until January 5, 2020.

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