New Straits Times

Not just another love story

One woman’s quest to write spawns an epic saga about community and identity, writes

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,a sweeping saga about love, race and religion set in two parallel timelines — the colonial pre-independen­ce Malaya and Malaysia at the cusp of its progressio­n and Look East policy in the 1980s. As we chat, it quickly becomes clear that Kaher’s debut novel is far from being an overnight success story. “It took me almost two decades to write it,” she tells me.

“There was so much research involved. I researched religions including Islam, Roman Catholicis­m as well as the histories of the Portuguese, the Dutch and the British. I went to Jogjakarta to learn about

I also studied and researched on the Eurasians and the Kristang community from Melaka.” She lists them all in exhaustive detail and it dawns on me that her 388 pages of a sprawling novel about life, love and faith in Malaya (and Malaysia) comes replete with painstakin­g details that make it both intriguing — and a challenge to read in one sitting, at the same time.

A story bAck in time

Kaher’s erudite tale of love, faith and religion reminds me of the old-school historical novels I used to enjoy. These are the kind of stories that you simply can’t just blaze through in just a day. It begs you to give it what it needs — time. I’m starkly reminded of my well-worn books, James Clavell’s or even Margaret Mitchell’s epic that are now yellowing with dog-eared pages on my bookshelf.

The story is deceptivel­y simple. Mariam, a young Roman Catholic (of mixed Asian and Western parentage) helps rescue a Muslim teenager Ishmael from the clutches of Japanese soldiers during the tumultuous World War II through her quick thinking. His grateful father, Ummah, the headman of a village in Port Dickson is captivated by the young girl and hopes to marry his son to her: “Ishmael would suit a girl like her, such courage and a big heart.”

The idyllic haven that was once Malaya soon changes, and Ummah, Ishmael and Mariam must fight a different type of battle to stay together — a battle that involves greed, fanaticism and a rising tide of prejudice and bigotry. As much as it is a love story set in a time and place that’s long past, Kaher’s narrative reminds me that the issues of identity, racism and religious prejudices are universal issues that are just as current today as they are in her epic tale. As you delve deep into the stories of the three protagonis­ts, the narrative takes on an allegorica­l nuance, causing you to reflect deeply on the travails of history and how issues like identity and religion are slowly becoming major points of contention in a country that once thrived on multi-culturalis­m and tolerance.

Her novel, she says, is a clarion call back to simpler times when the country wasn’t so fraught with division. “The Malaysia I used to know was completely integrated. Back in the early days, there was an embracing of culture and difference­s. We cared for each other. It was ingrained in us. The muhibbah (harmonious) spirit wasn’t just a word bandied about but it was a way of life back then,” she says soberly. Pausing for a moment, she adds softly: “I’ve never found this anywhere else.”

Australia is a lonely place, she tells me. “There’s no true sense of community there. At least not the kind you can get over here,” she explains. Pausing to sip her coffee, she adds with wistful smile: “Perhaps that’s why I’ve not gotten around getting my citizenshi­p yet!” The 17 years spent abroad had caused her to reminisce about home and all that she had left behind, thousands of miles away. “I’m a (interloper) in a foreign land,” declares Kaher bluntly of Australia. “Perhaps it’s all these feelings of being outside my skin in a place that seems remote and lonely, had gotten me thinking about my roots and how Malaysia is this wonderful unique melting pot of races and religions.”

A lAsting love

Hailing from a large family of five brothers and four sisters, Kaher paints the story of her own life in vivid colours. She spent her early childhood in Seremban and then moved to the capital city when she was just 5 years old. “We lived near the where I “became” a Muslim by osmosis and symbiosis,” she recounts with a smile. The love and example shown by the Muslim community where she lived, had a profound effect on her, “... because they were lovingly inclusive,” she says, relating that the shared love of Hindi movies, food and celebratio­n kept the vibrant community where she lived, close-knit.

“I loved the sound of the (Muslim call to prayer). Every evening when I heard it, I’d feel quietness and peace descend upon me. My mother would remind us: ‘it’s time for prayer, turn on the lights!’” she reminisces with a laugh. She tells me candidly that much of her novel pays homage to the Malay culture and Islam. “There’s so much prejudice against Islam, leading from the tragic events of Sept 11, 2011,” she says. She is of course referring to the terrorist attacks on the World Trade Centre that had precipitat­ed prejudice against the Muslims to this day.

The rising tide of Arabisatio­n and fanaticism has also added on to a growing crisis that has reached Malaysia shores. “There’s so much suspicion where once acceptance thrived,” she remarks with a sigh. “I wanted this book to be a reminder that we mustn’t lose what we have,” she says resolutely.

is a tribute of sorts, she tells me, about the people and place she loved, during her formative years in Malaysia. The former Assuntaria­n says: “Back at school, we had Muslims, Hindus, Buddhists and Christians all getting along famously, thanks to our headmistre­ss, a Roman Catholic nun who perpetuate­d such a beautiful broadminde­dness.”

This “beautiful” broadminde­dness is reflected in her characters. Ummah, the village way o recog he en ofad far-si all ab once off, w freedo

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