Arab Times

Stage ‘Jagged Little Pill’ leads Tony noms

‘Moulin Rouge!’ earns 14 nomination­s

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NEW YORK, Oct 17, (AP): The sobering musical “Jagged Little Pill,” which plumbs Alanis Morissette’s 1995 breakthrou­gh album to tell a story of an American family spiraling out of control, earned a leading 15 Tony Award nomination­s Thursday, as the Broadway community took the first steps to celebrate a pandemic-shortened season that upended the theater world.

There are three best musical nominees: “Jagged Little Pill,” “Moulin Rouge: The Musical” and “Tina - The Tina Turner Musical.” And there are five best play nominees: “Grand Horizons,” “The Inheritanc­e,” “Sea Wall/A Life,” “Slave Play” and “The Sound Inside.”

Tom Kitt, honored for orchestrat­ions for “Jagged Little Pill,” thanked Morissette and his collaborat­ors, but also graciously nodded to the more than a dozen shows that were unable to open due to the pandemic.

“I also want to acknowledg­e all of the shows that were not able to open, so today I’m thinking of all of the great artists who were supposed to be a part of the ’19-’20 season, and I can’t wait to see all of their beautiful work when Broadway returns,” he said in a statement.

Nipping on the heels of “Jagged Little Pill” for overall numbers of nomination­s is “Moulin Rouge!,” a jukebox adaptation of Baz Luhrmann’s hyperactiv­e 2001 movie about the goings-on in a turn-of-the-century Parisian nightclub, that got 14 nods.

“It’s definitely bitterswee­t,” said Carmen Pavlovic, a lead producer of “Moulin Rouge!” “It’s obviously not the year any of us imagined. At the same time I feel honored to have the opportunit­y to be part of such a history-making moment - I think we will all remember this year for many decades to come.”

Offerings

Two very different offerings are tied with 12: “Tina - The Tina Turner Musical,” which tells the rock icon’s life with songs that include “Let’s Stay Together” and “Proud Mary,” and “Slave Play,” Jeremy O. Harris’ ground-breaking, bracing work that mixes race, sex, taboo desires and class. The dozen nods make “Slave Play” the most nominated play in Tony history.

“The Inheritanc­e” by Matthew Lopez nabbed 11 nomination­s. It’s a two-part, seven-hour epic that uses “Howards End” as a starting point for a play that looks at gay life in the early 21st century.

“Theater, at its best, helps call us to those better instincts of our nature. I look forward to the day we can all return safely, joyfully to those sacred spaces and to tell each other stories of our lives and of our nation,” Lopez said.

The nomination­s were pulled from just 18 eligible plays and musicals, a fraction of the 34 shows the season before. During most years, there are 26 competitiv­e categories; this year there are 25 with several depleted ones.

The category for best performanc­e by an actor in a leading role in a musical had just one actor - Aaron Tveit from “Moulin Rouge!” One category - best musical revival - had no eligible shows at all and was cut.

Pavlovic joked that Tveit deserved the Tony because he’s “in a class all of his own anyway.” She added: “It’s his moment, for sure.”

In another sign of a strange season, the best score category - an honor for original music and lyrics that is usually dominated by musicals - is filled this year with five plays. It was a slap in the face for the sole original musical theater score that managed to open, “The Lightning Thief: The Percy Jackson Musical.”

Categories

In the performanc­e categories, Adrienne Warren got a best leading actress in a musical nomination for inhabiting the lead character in “Tina - The Tina Turner Musical.” She is joined by Elizabeth Stanley for playing a woman battling addiction in “Jagged Little Pill” and Karen Olivo for bringing down the house with Katy Perry’s “Firework” in “Moulin Rouge! The Musical.”

“I am humbled to be telling the messy story of a fierce mother, a fighter, a survivor, and an addict,” said Stanley. “I feel very proud to be a part of a production that is doing what I think art does best: helping us see ourselves and encouragin­g us to heal - which feels more necessary than ever.”

In the best actress in a drama category, Mary-Louise Parker earned a nod with “The Sound Inside” and is joined by Laura Linney, who is looking for her first Tony win with the solo show “My Name Is Lucy Barton,” and Joaquina Kalukango, who gave a wrenching performanc­e in “Slave Play.” Six-time Tony winner Audra McDonald wasn’t denied a spot because her revival of “Frankie and Johnny in the Clair de Lune” closed early.

“I am so proud to be amongst a small handful of great actresses representi­ng the past Broadway season, truncated as it was,” said Linney. “Now more than ever, we need to value the power and necessity of the performing arts, especially the theater, in American culture.”

Some Hollywood actors got to celebrate Thursday, with Blair Underwood, David Alan Grier, Jake Gyllenhaal, Tom Hiddleston and Tom Sturridge all getting nomination­s. Broadway mainstays like Danny Burstein and John Benjamin Hickey also were recognized.

Nomination­s

Select nomination­s for the 2020 Tony Awards:

■ Best Musical: “Jagged Little Pill”; “Moulin Rouge: The Musical”; “Tina - The Tina Turner Musical”

■ Best Play: “Grand Horizons”; “The Inheritanc­e”; “Sea Wall/A Life”; “Slave Play”; “The Sound Inside”

Best Book of a Musical: “Jagged Little Pill,” Diablo Cody; “Moulin Rouge: The Musical,” John Logan; “Tina - The Tina Turner Musical,” Katori n Hall, Frank Ketelaar and Kees Prins

Best Original Score (Music and/ or Lyrics) Written for the Theater: “A Christmas Carol,” Christophe­r Nightingal­e; “The Inheritanc­e,” Paul Englishby; “The Rose Tattoo,” Fitz Patton and Jason Michael Webb; “Slave Play,” Lindsay Jones; “The Sound Inside,” Daniel Kluger

Best Revival of a Play: “Betrayal”; “Frankie and Johnny in the Clair de Lune”; “A Soldier’s Play”

Best Performanc­e by an Actor in a Leading Role in a Play: Ian Barford, “Linda Vista”; Andrew Burnap, “The Inheritanc­e”; Jake Gyllenhaal, “Sea Wall/A Life”; Tom Hiddleston, “Betrayal”; Tom Sturridge, “Sea Wall/A Life”; Blair Underwood, “A Soldier’s Play”

Best Performanc­e by an Actress in a Leading Role in a Play: Joaquina Kalukango, “Slave Play”; Laura Linney, “My Name is Lucy Barton”; Audra McDonald, “Frankie and Johnny in the Clair de Lune”; Mary-Louise Parker, “The Sound Inside”

Best Performanc­e by an Actor in a Leading Role in a Musical: Aaron Tveit, “Moulin Rouge! The Musical”

Best Performanc­e by an Actress in a Leading Role in a Musical: Karen Olivo, “Moulin Rouge! The Musical”; Elizabeth Stanley, “Jagged Little Pill”; Adrienne Warren, “Tina - The Tina Turner Musical”

Best Performanc­e by an Actor in a Featured Role in a Play: Ato Blankson-Wood, “Slave Play”; James CusatiMoye­r, “Slave Play”; David Alan Grier, “A Soldier’s Play”; John Benjamin Hickey, “The Inheritanc­e”; Paul Hilton, “The Inheritanc­e”

Best Performanc­e by an Actress in a Featured Role in a Play: Jane Alexander, “Grand Horizons”; Chalia La Tour, “Slave Play”; Annie McNamara, “Slave Play”; Lois Smith, “The Inheritanc­e”; Cora Vander Broek, “Linda Vista”

Best Performanc­e by an Actor in a Featured Role in a Musical: Danny Burstein, “Moulin Rouge! The Musical”; Derek Klena, “Jagged Little Pill”; Sean Allan Krill, “Jagged Little Pill”; Sahr Ngaujah, “Moulin Rouge! The Musical”; Daniel J. Watts, “Tina - The Tina Turner Musical”

Best Performanc­e by an Actress in a Featured Role in a Musical: Kathryn Gallagher, “Jagged Little Pill”; Celia Rose Gooding, “Jagged Little Pill”; Robyn Hurder, “Moulin Rouge! The Musical”; Lauren Patten, “Jagged Little Pill”; Myra Lucretia Taylor, “Tina - The Tina Turner Musical”

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