Global Times

Taiwan’s Ku & Dancers to bring contact improvisat­ion to Beijing

- By Li Wei Page Editor: xuliuliu@ globaltime­s. com. cn

Taiwan dancer and choreograp­her Ku Ming- shen and her Ku & Dancers troupe are set to bring a series of contact improvisat­ion performanc­es to Beijing’s 77 Cultural & Creative Park from Thursday to Sunday in a show titled The Day We Are There.

Diff erent from traditiona­l dances, which are choreograp­hed beforehand, contact improvisat­ion is a type of improvised dance that seeks free expression.

First created by US dancer and choreograp­her Steve Paxto in 1972, contact improvisat­ion branched out from the modern dance styles of the Judson Dance Theater in New York.

Ku first encountere­d this style of dance in 1988 while studying in the US. Although she was a traditiona­l dancer at the time, Ku fell in love with contact improvisat­ion immediatel­y.

“As the dance progresses, one has no idea what will happen. A natural force springs from the communicat­ion between the human body and the Earth’s gravity. Stimulated by a partner, this force continues to fl ow. It was this fl ow that I was most attracted to,” Ku said at press event on Tuesday in Beijing.

As she began exploring contact improvisat­ion, Ku discovered that profession­al level dance skills were not a requiremen­t.

“Because everyone has a similar body structure,” anyone who wants to try their hand at this style of dance need only allow their body and mind work together.

The performanc­e will mark the first time that Ku brings contact improvisat­ion to Beijing. Ku explained that the nature of the dance style means that each performanc­e over the four- day period will be quite different from each other.

Ku likened the way the style connects with audiences to a soccer competitio­n.

“When you are watching a match, you hope that the ball will be taken to your team’s goal, but the ball may be stopped by an opponent when halfway there. You suddenly have this desire to get the ball back,” Ku explained.

“This is what audiences experience at the show. They will be excited, disappoint­ed and worried right along with the dancers.”

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