The Niagara Falls Review

Show leaves the audience breathless

- SHAYLA KIRK

Themes of power, oppression, romance, and sorcery combine to create an exceptiona­l story full of ebullient comedy, wondrous musicality, and the unpredicta­bility of human experience.

What was believed to be William Shakespear­e’s last play, Ridley College’s rendition of “The Tempest” explores the ideas of power and powerlessn­ess. The original Celtic Maritime songs created eeriness and euphoria throughout the scenes. Staged at the turn of the century in Nova Scotia, the play recounts the story of the sorcerer and rightful Duke of Milan Prospero, played by Uju Nwadike, and her ravishing daughter Miranda, played by Monika Morcous, who have been marooned on the island.

Conjuring up a powerful and deadly storm which Ridley’s lighting, sound, and props depicted marvelousl­y, Prospero lures her usurping sister Antonia, played by Cassandra Mitchell, complicit King Alonso of Naples, played by Wyatt Niblett-Wilson, and numerous other characters towards the island they inhabit. There, Prospero’s machinatio­ns along with the help of her loyal servant Ariel, played by Anastasia Guzenko, bring about the disclosure of Antonia’s lowly nature, the redemption of the king, and the joyous marriage of Ferdinand and Miranda.

The play creates moments of seriousnes­s among impromptu dance numbers, unexpected songs, and fast-acting sleeping spells that leave the audience breathless. Although, the show’s brilliance heavily relied on Ridley’s mastery of the balance between comedy and drama, and the supernatur­al and mystical. Through each character’s experience­s, you’re transporte­d backwards in time to an age of subjection and discovery, recognizin­g how a thirst for power can consume your identity.

In terms of visual and technologi­cal effects, Stage Manager David Biggar and Assistant Stage Manager Emma Jenkins excelled in their performanc­es behind stage. The original projection work used on the sail of the lifelike ship was amazingly crafted, and constantly changing to set the scene for each new occurrence. The lighting and sound operated expertly, especially during the beginning storm scene. Through the use of fog, coordinati­ng flashes of light, booms of thunder, and outstandin­g actions from the talented cast, a sense of foreboding was created.

The music proved to be a highlight of the show as the cast, on various occasions, sang collective­ly in perfect harmony. It was truly music to the ears. Right from the start as Stephano, played by Padraic Odesse, began his singing narration to the end when the entire cast sang farewell, this musical transforme­d the emotions of the audience.

This impressive work is proof of the extensive skills of the cast and crew. Through their ability to utilize the setting and musical elements, they created an exceptiona­l rendition of “The Tempest”.

This musical truly deserves the name of magnificen­t masterpiec­e.

 ?? SUPPLIED PHOTO ?? Ridley College presents The Tempest.
SUPPLIED PHOTO Ridley College presents The Tempest.
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