Ukraine’s Leading Man
A Time magazine reporter trails Volodymyr Zelensky, the entertainer-turned-wartime president, as he rallies the world for support.
NINE MONTHS INTO Russia’s full-scale invasion of Ukraine, in 2022, the Time magazine correspondent Simon Shuster caught a ride on a presidential train that few, if any, journalists had seen from the inside. In a private carriage, with the blinds drawn, Volodymyr Zelensky was
fueling up on coffee during a trip to the frontline. He’d been reading about Winston Churchill, but with Shuster he’d sooner discuss another key World War II figure: Charlie Chaplin.
“He used the weapon of information during the Second World War to fight against fascism,” Zelensky said. “There were these people, these artists, who helped society. And their influence was often stronger than artillery.”
It’s a telling moment in Shuster’s “The Showman,” an intimate account of the invasion’s early months, and it captures his thesis — that Zelensky’s effectiveness as a wartime leader is rooted in his skills as a performer, honed over more than two decades in the entertainment industry.
Shuster has been reporting from Kyiv since 2009. In 2019, he interviewed Zelensky the presidential candidate in the offices of his production company, Kvartal 95. Planting himself in Zelensky’s inner circle, Shuster shadowed him, on and off, through the first year of the war, a period that culminated in Zelensky’s address to the United States Congress; observing from a balcony, Shuster logged 13 standing ovations in his notes “before their frequency forced me to give up counting.”
In the space of less than three years, as Shuster vividly details, Zelensky transforms from a clean-cut funnyman into a war hero out of central casting, “an unlikely fashion icon” in his army-green fleece embroidered with the golden trident of the Ukrainian coat of arms. In the war’s opening hours, the Ukrainian president gets into character with a pep talk. “They’re watching,” he said to himself. “You’re a symbol. You need to act the way a head of state must act.”
Among Zelensky’s advisers are movie producers and stand-ups who first crossed paths with their habitually cheery boss on the comedy circuit. They paint a striking picture of the way the novice statesman slid into his new role. “His aides could see Zelensky’s posture stiffen,” Shuster writes. “His tone became clipped.”
Less than a week before the war, with 190,000 Russian troops on Ukraine’s doorstep, Western officials at a NATO summit in Munich had privately urged him to establish a government in exile. (In the lead-up to the invasion, “they were telling us that we would be conquered in four to five days,” Oleksiy Danilov, then Zelensky’s national security secretary, tells Shuster. “And the entire political leadership would be killed.”)
Written off as a dead man walking, he elected to project strength, galvanizing his fellow Ukrainians with the vigor of his rhetoric. Who can forget Zelensky’s brave pronouncement, recorded on his smartphone on the second night of war? “We’re all here,” he says into the camera, standing in the open air alongside four of his most trusted aides, “defending our independence, our country — that’s the way it’s going to be.”
It’s a testament to Zelensky’s diplomatic prowess that days after counseling him to negotiate the terms of his own surrender, Kyiv’s allies in the European Union assented to his appeal for arms, contravening their own policies against sending weapons into conflict zones. The bloc also barred Russian planes from its airspace, and the country’s largest creditors were expelled from the global banking system. The United States and other nations froze $300 billion of Russia’s gold and foreign reserves, effectively obstructing Moscow’s reach into its own military coffers.
Despite his limited experience as a statesman, Zelensky had won the West’s approbation and material support and he
did it largely by seeking attention in the spirit of a SoundCloud rapper pushing a new single through TikTok: with incessant repetition and a belief that every venue offered something useful. For months, he delivered daily speeches, often via video link from an underground bunker beneath his presidential headquarters in Kyiv. He addressed just about any audience that would have him, from the World Bank to the Grammys to large crowds of civilians in Europe’s public squares. “The lives of his people depended on his ability to keep the spotlight on Ukraine,” Shuster writes.
Zelensky was a master at tailoring his message to the platform. Speaking to U.S. lawmakers, he drew parallels to Pearl Harbor and 9/11. At the German Parliament, he invoked the Holocaust, employing that still redolent imperative “never again.” His team brought dozens of foreign delegations to Bucha and other scorched cities. They guided the visitors “right up to the edge of the pit,” so that they could see — and smell — for themselves the carnage wrought by the invading army. “It changed them,” one of Zelensky’s advisers tells Shuster. Before long, a photo op with Zelensky outside his presidential compound on Bankova Street became de rigueur among Western leaders.
While Shuster’s admiration for his subject is palpable, he never tips over into hagiography. He knows that Zelensky’s skill as an entertainer, and the tactical advantages it has conferred in global politics, do not sufficiently explain the complexities of his presidency. The same vehemence that drives Zelensky to dominate the information war — “the battle of minds,” as he calls it — is also what worries Shuster most.
EVEN BEFORE VLADIMIR Putin announced his “special military operation” in Ukraine, Zelensky had banned three television channels reportedly owned by a close associate of the Russian president, a move that the speaker of Ukraine’s Parliament described to Shuster as “an illegal mechanism that contradicts the Constitution.” When Shuster presses Zelensky on this point, the president grows defensive, “his eyes shifting between anger and embarrassment.” Zelensky explains “with faint conviction in his voice” that Russia’s relentless disinformation campaign forced his hand; it had already “brainwashed” a good number of Ukrainians in Crimea and the Donbas.
“The argument stank of paternalism,” Shuster concludes. “His tactics resem
bled the ones Putin used.” After Russian tanks rolled into Kyiv’s suburbs, Zelensky suspended about a dozen political parties and revoked the citizenship of several former politicians. His government also prevailed on six major networks to jointly produce a round-the-clock program called “Telemarathon United News,” which Zelensky has described as a “unified weapon on information” and which critics have recently dismissed as state propaganda.
“Many lawmakers had begun to wonder whether he could handle the powers entrusted to him under martial law,” Shuster writes, “and whether he would ever be able to part with them.” Zelensky’s singleminded quest to control the narrative has led to concerns of creeping despotism. “Don’t be too generous with him,” one Ukrainian journalist advises Shuster. “You don’t know what he will become.”
Having spent more time with Zelensky during the fighting than perhaps any other reporter, Shuster comes to believe that Zelensky’s “highhandedness” is indeed a wartime exigency and not a harbinger of autocracy, even as he acknowledges that Zelensky granted him so much access precisely because he saw Shuster’s “work as useful to him as a means” to amplify his own talking points.
Shuster takes heart in small gestures of reticence, which he believes to be more than just an act. Ahead of Ukraine’s Independence Day in 2022, the country’s postmaster general visited Zelensky in his office and presented him with a mockup of a postage stamp bearing his image. The president cringed. “It’s not the time,” he said, “to start a cult of personality.” The more pressing issue is whether Zelensky’s powers of persuasion — his showmanship — will be enough to sustain the West’s resolve until the end.
DAVID KORTAVA is an editor at Foreign Affairs. Since 2016, he has also been a contributor to The New Yorker, reporting for the magazine on a range of subjects, including Russia’s “filtration camps” in eastern Ukraine — a cover story supported by the Pulitzer Center.