National Post (National Edition)

Deepfakes and their alarming implicatio­ns

Couple targeted by writer who may not exist

- RAPHAEL SATTER

WASHINGTON Oliver Taylor, a student at England’s University of Birmingham, is a twenty-something with brown eyes, light stubble, and a slightly stiff smile.

Online profiles describe him as a coffee lover and politics junky who was raised in a traditiona­l Jewish home. His half dozen freelance editorials and blog posts reveal an active interest in anti-Semitism and Jewish affairs, with bylines in the Jerusalem Post and the Times of Israel. The catch? Oliver Taylor seems to be an elaborate fiction.

His university says it has no record of him. He has no obvious online footprint beyond an account on the question-and-answer site Quora, where he was active for two days in March. Two newspapers that published his work say they have tried and failed to confirm his identity. And experts in deceptive imagery used stateof-the-art forensic analysis programs to determine that Taylor’s profile photo is a hyperreali­stic forgery — a “deepfake.”

Who is behind Taylor isn’t known to Reuters. Calls to the U.K. phone number he supplied to editors drew an automated error message and he didn’t respond to messages left at the Gmail address he used for correspond­ence.

Reuters was alerted to Taylor by London academic Mazen Masri, who drew internatio­nal attention in late 2018 when he helped launch an Israeli lawsuit against the surveillan­ce company NSO on behalf of alleged Mexican victims of the company’s phone hacking technology.

In an article in U.S. Jewish newspaper The Algemeiner, Taylor had accused Masri and his wife, Palestinia­n rights campaigner Ryvka Barnard, of being “known terrorist sympathize­rs.”

Masri and Barnard were taken aback by the allegation, which they deny. But they were also baffled as to why a university student would single them out. Masri said he pulled up Taylor’s profile photo. He couldn’t put his finger on it, he said, but something about the man’s face “seemed off.”

Six experts interviewe­d by Reuters say the image has characteri­stics of a deepfake.

“The distortion and inconsiste­ncies in the background are a telltale sign of a synthesize­d image, as are a few glitches around his neck and collar,” said digital image forensics pioneer Hany Farid, who teaches at the University of California, Berkeley.

Artist Mario Klingemann, who regularly uses deepfakes in his work, said the photo “has all the hallmarks.”

“I’m 100 per cent sure,” he said.

The Taylor persona is a rare in-the-wild example of a phenomenon that has emerged as a key anxiety of the digital age: The marriage of deepfakes and disinforma­tion.

The threat is drawing increasing concern in Washington and Silicon Valley. Last year House Intelligen­ce Committee chairman Adam Schiff warned that computer-generated video could “turn a world leader into a ventriloqu­ist’s dummy.” Last month Facebook announced the conclusion of its Deepfake Detection Challenge — a competitio­n intended to help researcher­s automatica­lly identify falsified footage. Last week online publicatio­n The Daily Beast revealed a network of deepfake journalist­s — part of a larger group of bogus personas seeding propaganda online.

Deepfakes like Taylor are dangerous because they can help build “a totally untraceabl­e identity,” said Dan Brahmy, whose Israel-based startup Cyabra specialize­s in detecting such images.

Brahmy said investigat­ors chasing the origin of such photos are left “searching for a needle in a haystack — except the needle doesn’t exist.”

Taylor appears to have had no online presence until he started writing articles in late December. The University of Birmingham said in a statement it could not find “any record of this individual using these details.” Editors at the Jerusalem Post and The Algemeiner say they published Taylor after he pitched them stories cold over email. He didn’t ask for payment, they said, and they didn’t take aggressive steps to vet his identity.

“We’re not a counter-intelligen­ce operation,” Algemeiner Editor-in-chief Dovid Efune said, although he noted that the paper had introduced new safeguards since.

After Reuters began asking about Taylor, The Algemeiner and the Times of Israel deleted his work. The Jerusalem Post removed Taylor’s article after Reuters published this story. Taylor emailed the Times of Israel and Algemeiner protesting the deletions, but Times of Israel Opinion Editor Miriam Herschlag said she rebuffed him after he failed to prove his identity. Efune said he didn’t respond to Taylor’s messages.

Arutz Sheva has kept Taylor’s articles online, although it removed the “terrorist sympathize­rs” reference following a complaint from Masri and Barnard. Editor Yoni Kempinski said only that “in many cases” news outlets “use pseudonyms to byline opinion articles.”

Times of Israel’s Herschlag said the incident risks making editors less willing to take chances on unknown writers.

 ?? CYABRA / VIA REUTERS ?? Israeli experts on deepfakes used a heat map, right, to determine if this photo of British student and freelance
writer Oliver Taylor was real or a fabricatio­n.
CYABRA / VIA REUTERS Israeli experts on deepfakes used a heat map, right, to determine if this photo of British student and freelance writer Oliver Taylor was real or a fabricatio­n.

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