Perfil (Sabado)

‘Today, a small media outlet is able to shake the entire power structure.’

Horacio Verbitsky, one of Argentina’s most iconic journalist­s on the Argentina’s media landscape, the use and power of government advertisin­g and the crisis facing the media industry at large.

- BY SANTIAGO DEL CARRIL @DELCARRIL

Horacio Verbitsky holds the distinctio­n of being one of Argentina’s most famous journalist­s and, at the same time, one of its most controvers­ial ones. With a half-century of experience in the trade, he has published over 20 books and thousands of articles. His investigat­ions have exposed massive government corruption during former president Carlos Menem’s administra­tion, human rights violations committed during the last military dictatorsh­ip, the Church’s complicity with the Junta’s leaders and raised questions over Pope Francis’ behaviour in those dark days.

While his detractors accuse Verbitsky of being a double-agent (due to his previous affiliatio­n with the Montoneros guerrilla movement) and criticise him for not investigat­ing graft during the Kirchnerit­e administra­tions (which he was well-known for sympathisi­ng with), no-one can deny his ability to discover, disseminat­e, analyze and publish groundbrea­king investigat­ions. Nicknamed “El Perro” for his dogged determinat­ion in uncovering stories, at 76 years of age he shows no signs of slowing down.

At a time when the media industry is gripped in crisis, both in Argentina and globally, Verbitsky has suffered too. In his own words, he was pressured to leave his post as the lead columnist of the Pagina/ 12 newspaper, a decision that prompted him to begin his own digital publicatio­n, El Cohete de la Luna, last year.

With hundreds of journalist­s having lost their jobs over the past three years, the Times interviewe­d Verbitsky about this new era at his iconic, small office near the Supreme Court, which is plastered with pictures, article and magazine covers from periods of Argentina’s history. Wearing his trademark jacket, tie, and sweater, El Perro discussed the challenges that lie ahead and how we got here. How do you evaluate the situation the media faces in Argentina these days?

Terrible, the situation is bad. It is one of the worst moments. It’s difficult to remember a worse time. When you compare today to when you started in the 1960s?

In the 1960s when I began, journalism practicall­y didn’t exist. Today, yes [it does].

Do you have an opinion about this era, where the value of a journalist is beginning to be measured by how many ‘likes’ they receive or the number of people that follow them?

I’m completely indifferen­t. It isn’t measured that way. I care about as much as I care about what colour their ties are.

How do you analyze the evolution of the media, dating back to Carlos Menem’s administra­tion in the 1990s, when the Internet had just begun, to the Kirchnerit­e era, when social networks began to have more influence, compared to today? In a period where

the majority of advertisin­g is spent on social networks instead of media outlets…

The issue of advertisem­ents is an issue that has to do with the sustainabi­lity of the media. The Menem administra­tion manipulate­d government advertisin­g funds but looking at it retrospect­ively it was naive in comparison to what is happening today, where there is a great perversity in this respect. Today, not only are they using the funds to reward and punish the media, but they are also using social networks to distort facts. In this sense, not only was Menem naive but also the Kirchners were, in the way they managed this issue. We are now at another level, [one] which is entirely distinct. And in this sense, the Cambiemos coalition has incorporat­ed all the novelties that exist in the world.

How do you think this is affecting readership? Now, people are reading news completely different. They go directly to their social media accounts. Instead of buying newspapers, they read from Facebook or Twitter. The reader is changing, but I think

that there are things which remain the same. There are issues that interest them more or less. The reader tends to pay attention to the proliferat­ion of sources and conflictin­g versions.

For example, in what we recently saw with the investigat­ion into fake electoral campaign contributo­rs [Note: Verbitsky was interviewe­d prior to the notebooks

scandal breaking]. Well, this was revealed and investigat­ed by a small digital media organisati­on. For a month, the large media companies and the government were persistent­ly silent. However, a month later, the political issue began to grow stronger, and they couldn’t continue hiding it …

When they perceived that that issue was hurting President Macri’s image, they acted rapidly. So, for example, the president calls the governor of Buenos Aires Province [María Eugenia Vidal] and says ‘Take care of it. You created this problem, not me, but it’s hitting me.’ And this forces the governor to lay off an advisor of extreme confidence, which she had designated for a high-ranking post the day before.

A small media outlet with a very young 25-year-old journalist was able to shake a whole power structure. Would this have happened in the 1960s or 1970s, so easily?

No, for example, Rodolfo Walsh when he does his investigat­ion into the executions of 1956, the massacre operation, he explains that he had thought his research would have enormous repercussi­ons. He believed that news organisati­ons would want the informatio­n but

“Today, not only are they using [government advertisin­g] funds to reward and punish the media, but they are also using social networks to distort facts.”

“Without a doubt, there should have been a distributi­on of the government funding that allows for the sustenance of small, regional and national media, and the more legitimate large media.”

afterwards, not only did they not seek it, they silenced the news. He was able to very slowly spread the news of his investigat­ion, after several articles in tiny, marginal newspapers, and publishing a book.

Now that book is considered the masterpiec­e of Argentine journalism. But at that moment, when he first released his investigat­ion, it didn’t have even the smallest effect. I think in this day and age, Walsh would have had a much quicker impact then he did at that moment.

And what is your opinion about the global Internet giants such as Google and Facebook that are capturing 90 percent of the online ad revenue? Should some legal action be taken against them? Should the government step in?

I think there should be regulation­s. They can’t be on the open range hunting small animals with impunity.

In a recent article, you highlighte­d that it is not journalism that is in a crisis, but the means of communicat­ion. Do you think this will end well for journalist­s?

Well, that things will end well for journalist­s might be an excessive presumptio­n to make. [But] there will always be space for journalist­ic work, as long as they fulfil a necessity. Now, doing this in precarious and marginal conditions, with scarce resources – it’s not good for the journalist­s or society. It demonstrat­es there is a stiff resistance, despite all the concentrat­ion and manipulati­on in the media sector. There are still open spaces. It’s not the same situation, as perverse as it was, during the dictatorsh­ips. There is a difference, and we need to take advantage of it. But I don’t consider this will end well (chuckles). Our situation is bad. But now the giant media conglomera­tes have lost a good part of their credibilit­y. Not all of them, but some. Which ones? No. No, I won’t say in detail. It’s just a general reflection.

You also highlighte­d that the most significan­t news organisati­ons are being used to obtain advantages from the state in lucrative businesses or in exchange for good relations. Are some trying to be more objective with the news? Or are they all partial in one form or another?

There are some that try to and others that don’t. There are difference­s without a doubt. Which news organizati­ons are trying to be more objective?

It depends on the moments and issues. I prefer to pick out those that directly do not worry about being objective. For example, Clarín, Where the first headline to the last story is in function of their economic, business interests, or to obtain a concession from the state, to enter another type of business… their intentions are very clear.

How do you compare the use of government advertisin­g funds today compared to when the Kirchners were in power? In your book, Vida del Perro, you say that the previous government was very clumsy in how they handled the media. Well, the fact that they took away government advertisin­g funds from the media [outlets] that bothered the State; to me, it was a great mistake on the part of the government. And it didn’t end up giving them the result they wanted. Furthermor­e, to not pay attention to the ruling of the Supreme Court, or decisions from the Inter-American system in defence of human rights isn’t an intelligen­t policy.

How do you see the political transforma­tion of the media? During the Kirchnerit­e-era, Clarín, LaNación, and

Infobae, for example, were very negative. Today, how do you evaluate the evolution of Argentina’s newspapers and their editorial lines?

I think it is legitimate for a news organisati­on to have their political line, that coincides with some things and others not, and that they display this openly – as long as there is diversity in the media and a plurality of voices. The issue is the coherence of each news organisati­on. If it had a particular line, and then it modifies it when the government changes.

What do you think about the effect that fake news is having? In the United States, it had a significan­t influence on the previous election. In Argentina, how do you see the effect of fake news?

Well, first we need to define what we are referring to when we use such a broad term. In the US, since Jeff Bezos (Amazon’s CEO) purchased The Wash

ington Post, President Trump and it have repeatedly accused each other of spreading fake news. Well, one of the two must be telling the truth and the other not. Evaluating it on a case-by-case basis is necessary. If you read The Post, every statement Trump says is false. And if you read Trump’s tweets, the media is the enemy of the people and the nation and is creating false narratives about reality.

The idea behind fake news is that the press is used as a weapon against an adversary. That is why we need to be careful and review it on a case-by-case basis. For example, in Argentina when in the

Clarín newspaper a journalist like Daniel Santoro publishes an article saying that [former security minister] Nilda Ga- rré and Máximo Kirchner had a bank account in the US, with the Felton Bank, and that’s proven false. And then Clarín uses that fake news, and even when the bank denies it, Santoro doesn’t accept the lie. And when the US government then says that the account and the documents never existed, not only is that news false, it is deliberate­ly false. For me, this is the most extreme example that we’ve seen of fake news in Argentina in many years.

I’m also referring to small media organisati­ons that publish fake news, which is then shared by millions of people. Do you see this affecting Argentina?

Well, here the difference is that they aren’t small marginal media, but the most important newspaper in the country that spreads fake news. And that’s a significan­t difference.

With regards to the closure of news agencies, such as DyN, and how the state news service Telám laid off 300 people. What effect do you think this will have on news from the various local and regional areas in Argentina?

The issue of Telam is serious because, in reality, it was the only medium of communicat­ion that reached the whole country at a national level. It not only collected informatio­n but also distribute­d it throughout the country like a capillary network. This will be felt. But it’s what the government wants. It gives them free range to do their media operations, with their methods, votes, trolls and all the mechanisms that they know how to manage much better than anyone else.

Do you think the government should have a greater role in protecting the media? For example, publicatio­ns that were closed, like the Buenos Aires He

rald, due to corruption and poor administra­tion. Should the State do more to try to protect small newspapers from dying off?

I think that in some cases the attempt to save them is justified. For example, you mentioned the Herald,[ a paper] with a history with more than a century of existence, that played an essential role in the history of Argentina in the dictatorsh­ip. It would have justified support.

Now, it’s not easy to see how the State should have supported it. Should the State have helped the company that led it to its bankruptcy?

Well, that is debatable. Without a doubt, there should have been a distributi­on of the government funding that allows for the sustenance of small, regional and national media, and the more legitimate large media.

But this isn’t a simple issue and requi-

res the gathering of sectors from civil society, communicat­ors, from those that produce media for consumptio­n, so that they form criteria that would be acceptable for everyone. But I don’t think this government is willing to dialogue with those sectors.

Some experts say social networks are creating more polarised societiesD­o you see this happening in Argentina?

Yes, I think so. Everyone watches or reads what interests them. And that in a way limits the richness of the flow of informatio­n. But I think there is a considerab­le disequilib­rium because everyone is not on the same level. There is a sector that is much more powerful in the diffusion of informatio­n that can project its vision over the whole with much more ease.

With the disappeara­nce of many media organisati­ons, there are still new ones being created, such as your news website El Cohete a la Luna. It doesn’t have a primary sponsor or company supporting it. How do you see the future of this type of outlet? Do you think it will replace the need for a company with substantia­l financial backing or government funding behind it?

I don’t know if it will replace it, but at the moment they can coexist. And we are demonstrat­ing this, but it’s uphill. It’s very hard. Now, these things were never easy. And I don’t idealise the past at all. I’m conscious of the problems in the present, and they worry me, but I don’t at all long for the past. The situation, as bad as it is now, is better then what we had to face in other periods of history. And how is your site doing?

It’s going very well. We are having a lot of page visits, a lot of readers, and a significan­t effect. We are happy. Fulltime, the team is very small. We are five to six people, no more. Then there are collaborat­ors – but no more. Do you have plans to expand?

Yes, in measure with the public interest for our news. But the numbers are growing. You left Página/12 last October. Why did you leave exactly?

I left because the government threatened the newspaper and its owner after I published my investigat­ion about the whitewashi­ng and the president and his family’s undeclared funds. And I didn’t want them to use that as a pretext to close the paper. I said that publicly. What were the threats exactly? You should speak directly with the newspaper’s employees about that.

When will you publish the rest of the list of people who whitewashe­d their money? I don’t know if I will publish the rest of the list. I will see.

And today how is your relation with Página/12 and its owner , union leader Víctor Santa María? I sometimes read Página/12. Do you think someday you will return and write for them? I don’t plan to. But I also can’t say that it will never happen.

 ?? PABLO CUARTEROLO ?? Horacio Verbitsky, pictured during an interview in his office.
PABLO CUARTEROLO Horacio Verbitsky, pictured during an interview in his office.
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